| 2000 | Research Associate at Michaelis School of Fine Art, UCT | |
| 1994-1999 | Lecturer of Photography and Drawing at Michaelis School of Fine Art, UCT | |
| 1991-1993 | Customer Projects Co-ordinator for Truworths | |
| 1989 | Master of Fine Arts in Imaging Art, Rochester Institute of Technology, USA | |
| 1988-1989 | Assistant Co-ordinator Children's Project for Community Arts Project | |
| 1986-1987 | Cultural Organiser for Department of Education and Training | |
| 1985 | Advanced Diploma in Fine Arts, Michaelis School of Fine Art, UCT | |
| 1984 | Diploma in Fine Arts, Michaelis School of Fine Art, UCT |
| 2006 | Goldminer, Jack Shainman Gallery, New York | |
| Maidens, Galerie Hengevoss-Dürkop, Hamburg | ||
| 2005 | “Ticket To The Other Side”, Gallery Hengevoss-Dürkop, Hamburg, Germany | |
| "Women in Private Space", Gallery Andrehn Schiptjenko, Stockholm, Sweden | ||
| 2004 | "Lines of Negotiation", Jack Shainman Gallery, New York, NY | |
| 2003 | Association For Visual Arts, Cape Town, South Africa | |
| "New Works" Jack Shainman Gallery, New York, New York, USA | ||
| "Interior Portraits: Zwelethu Mthethwa photographs", Cleveland Museum, Ohio, USA | ||
| 2002 | Gallery Hengevoss-Durkop, Hamburg, Germany | |
| Museum of Contemporary Art, St Louis, MO - USA | ||
| Marco Noire Contemporary Art, San Sebastiano, Italy | ||
| Rebirth, Art Unlimited, Marco Noire Contemporary Art, Art Basel, Basel, Switzerland | ||
| Centre National de la Photographie, curated by Régis Durand, Paris, France | ||
| Mother & Child, Marco Noire Contemporary Art, San Sebastiano, Italy | ||
| Private Spaces, Goodman Gallery, Johannesburg, South Africa | ||
| 2000 | Palazzo delle Esposizioni, curated by Teresa Macrì and Maria Grazia Tolomeo, Roma, Italy | |
| Rebirth, project room, FIAC Paris, Marco Noire Contemporary Art, Paris, France | ||
| Jack Shainman Gallery , New York, N.Y., U.S.A. | ||
| 1999 | Project Room, Art Koln, Marco Noire Contemporary Art, Koln, Germany | |
| Galerie Hengevoss-Dürkop, Triennale der photographie, Hamburg, Germany | ||
| Art Chicago/ At Navy Pier, Marco Noire Contemporary Art, Chicago, USA | ||
| Project Room, Marco Noire Contemporary Art, ARCO, Madrid, Spain | ||
| 1998 | Marco Noire Contemporary Art, San Sebastiano, Italy | |
| Goodman Gallery, Johannesburg, South Africa | ||
| 1997 | Kohn Turner Gallery, Los Angeles, USA | |
| 1992 | Gallery de Lyons, Cape Town, South Africa | |
| 1991 | African Arts Centre, Durban, South Africa | |
| S.A. Association of Arts, Cape Town, South Africa | ||
| 1987 | College Union, Rochester Institute of Technology, Rochester, NY | |
| 1986 | S.A. Association of Arts, Cape Town, South Africa |
| 2006 | Planet Afrika. Zeitgenössische junge afrikanische Fotografie, curated by Thomas Michalak, | |
| in coop. Bundeszentrale für politische Bildung im Rahmen "Africom" | ||
| Stationen: Magdeburg, Essen, Wittenberg, Kirkel, Frankfurt a.M., Berlin etc. | ||
| Why Pictures Now, MuMoK, Wien | ||
| Snap Judgements. New positions in contemporary african photography, ICP, NYC | ||
| Black, Brown, White, Fotografie aus Südafrika, Kunsthalle Wien, A | ||
| 2005 | The Whole World is Rotten, Free Radicals and the Gold Coast Slave | |
| Castles of PAA Joe, organized by Claude Simard at the Jack Shainman Gallery, New York, USA | ||
| Venice Biennale 51st International Art Exhibition, curated by Maria de Corral And Rosa Martinez, Venice, Italy | ||
| Emergencies, at the Museo de Arte Contemporeneo de Castilla y Leon, MUSAC Leon, Spain | ||
| New Work/New Acquisitions, curated by Klaus Biesenbach and Ann Temkin, at the Museum of Modern Art, New York, U.S.A. | ||
| 2004/5 | Prague Biennale Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell, curated by Philip Brookman and Jacquelyn | |
| Days Serwer, at the Corcoran Gallery of Art, Washington D.C, U.S.A. | ||
| "Passaporto", Le Meridien Lingotto Art & Tech, Torino, Italy | ||
| "Ipermercati dell'Arte", Palazzo delle Papesse, Sienna, Italy | ||
| "Made in Africa Fotografia", Musei di Porta Romana, Milano, March, Italy | ||
| "Festival della Fotografia", British Academy, Roma, April, Italy | ||
| "Festival Couleur Café", curated by Hernau Bertiau, Tour et Taxis, Bruxelles, May, Belgium | ||
| "New Identities" Contemporary South African Art, curated by Dr Golinski and Hiekisch-Picardi. Bochum Museum, Bochum, Germany | ||
| "African Remix" - curators: Simon Njami, Jean-Hubert Martin, David Elliot, Marie-Laure Bernadac, Roger Malbert and Els van der Plas, Dusseldorf | ||
| Museum Kunst Palast - 24 July - 7 November 2004 | ||
| Hayward Gallery, London - 10 February - 17 April 2005 | ||
| Centre Georges Pompidou, Paris, 15 May - 20 August 2005 | ||
| Mori Art Museum, Tokyo, June - September 2006 | ||
| Sao Paulo Biennale, curated by Alfons Hug, Simon Njami | ||
| "Postcards from Cuba" - a selection from the 8th Habana Biennale, curated by Selene Wendt, Oslo, Norway, Henie Onstad Kunstenter | ||
| Vth African Photography Encounters in Bamako, Mali, curated by Simon Njami and Moussa Konate | ||
| Vth Bamako Encounters, "Afritudine", artistic director, Simon Njami - Musei di Porta Romama / Galleria Arteutopia, Italy; "Grenier a sel" in Honfleur | ||
| France; Kornhausforum, Berne, Switzerland | ||
| 2003/4 | "The Gift: Generous Offering, Threatening Hospitality", organised by independent Curators International and travelling to: Scottsdale Museum of Contemporary Art, Scottsdale, AZ | |
| Bronx Museum of the Arts, Bronx, NY | ||
| Govett-Brewtser Art Gallery, New Plymouth, NZ | ||
| Art Gallery of Hamilton, Hamilton, Ontario | ||
| 2003 | "Strangers" Photography Triennale, International Centre for Photography, New York, USA, curated by Brian Wallis | |
| Prague Biennale, Prague, Czech Republic, curated by Lauri Firstenberg | ||
| Portraiture (Every picture tells a story), Solomon Projects, Atlanta, GA | ||
| "Body And The Archive", Artist's Space, New York curated by Lauri Firstenberg | ||
| Direction des Vth African Photography Encounters, Bamako, Mali, curated by Simon Njami | ||
| Sharjah International Biennale, curated by Hoor Al-Qasimi and Peter Lewis | ||
| Istanbul Biennale, curated by Dan Cameron | ||
| 8Th Havana Biennale | ||
| "Fuori Uso" 2002, Ferrotel, Pescara Italy curated by Teresa Macri, Mario Codognato and Sandra Chia | ||
| "New Aquasitions" - New works, New Directions 3: Contemporary Selections, Los Angeles County Museum of Art, Los Angeles, CA | ||
| "Cultural Crossing", Numark Gallery, Washington DC | ||
| In Situ: Portraits of People at Home, curated by Ashley Kistler. Photographs by Taylor Dabney, Tom Hunter and Zwelethu Mthethwa | ||
| Hand Workshop Art Centre, Richmond, Virginia USA | ||
| Dis/location", curated by Daniela Tilkin, Sala Rekalde, Bilbao, Spain | ||
| Centro Cultural de Maia, O'Porto , Portugal | ||
| TRADE - Wares, ways and values in world trade today, curated by Thomas Seelig, Nederlands Foto Instituut, Rotterdam, Holland | ||
| The Gift, generous offering, threatening hospitalities -Scottsdale Museum di Scottsdale, Arizona, USA | ||
| Sudafrica: la pittura, la fotografia, il cinema, Centro "Trevi", Bolzano, Italy | ||
| The Short Century, Independence and Liberation Movements in Africa 1945-1994, curated by Okwui Enwezor, P.S. 1 Contemporary Art Center, New York, USA | ||
| Shopping: Art and Consumer Culture, travelling exhibition to: Schrin Kunsthalle Frankfurt, Frankfurt-Germany | ||
| Tate Liverpool, Liverpool - U.K. | ||
| Tracing the Rainbow, travelling exhibition to: Kunst Raum Sylt-Quelle, Germany | ||
| Kulturverein Zehntscheuer, Rottenburg/Necktar, Germany | ||
| Videoarte Africana, curated by Marcel Odenbach, 25° Bienal de Sao Paulo, Sao Paulo, Brasil | ||
| Untitled, Jack Shainman Gallery, New York, Usa | ||
| Cutting Edge, ARCO Madrid, Marco Noire Contemporary Art | ||
| The Short Century, Independence and Liberation Movements in Africa 1945-1994, curated by Okwui Enwezor, travelling to: Museum Villa Stuck, Munich, Germany | ||
| Haus der Kulturen der Welt, Berlin, Germany | ||
| Museum of Contemporary Art, Chicago, IL - USA | ||
| PS1 Museum of Contemporary Art, New York, NY - USA | ||
| Africa Today:The Artist and the City, curated by Pep Subiros, Centre de Cultura Contemporania de Barcelona, Barcelona, Spain | ||
| TRADE - Wares, ways and values in world trade today, curated by Thomas Seelig, Fotomuseum Winterthur, Winterthur, Germany | ||
| "Dis/location", curated by Daniela Tilkin, PhotoEspana 2001, Circulo de Bellas Artes, Madrid, Spain | ||
| The Gift, generous offering, thhreating hospitalities, curated by GianfrancoMaraniello and Antonio Somaini, travelling to: Palazzo delle Papesse, Siena, Italy | ||
| Palazzo Candiolo, Venice, Italy | ||
| San Francisco, CA - USA | ||
| Storie contemporanee, curated by Paola Tognon, Museo Civico di Bergamo, Bergamo, Italy | ||
| I Love NY, benefit exhibition, Jack Shainman Gallery, New York, NY | ||
| A Passion for Art The Disaronno Originale Photography Collection, curated by Anne Ellegood, Heidi Zuckerman Jacobson, Lorie Mertes, Dominic Molon, traveling to: | ||
| Miami Art Museum, Miami FL | ||
| New Museum of Contemporary Art, New York, NY | ||
| Museum of Contemporary Art, Chicago, IL | ||
| University of California, Berkeley, Art Museum and Pacific Film Archive, Berkeley, CA | ||
| Boomerang: Collector's Choice, Exit Art, New York, NY | ||
| 2000 | Paris pour escale, curated by Laurence Bossé, Musée d'Art Moderne de la Ville de Paris, Paris, France | |
| Museum of Contemporary Art in Sydney, Australia | ||
| A.r.e.a. 2000, curated by Gavin Younge, Kjarvaisstadir, Reykjavik, Iceland | ||
| Pusan International Contemporary Art Festival, curated by Rosa Martinez, Pusan, Korea | ||
| L'Afrique à jour in collaboration with Biennale Dakar 2000, AFAA, Lille, France | ||
| Mostra Africana de Arte Contemporanea, curated by Solange Oliveira Farkas and Clive Kellner, VideoBrasil, São Paulo, Brasil | ||
| Home, curated by Trevor Smith, Art Gallery of Western Australia, Perth, Australia | ||
| Mirades Impúdiques, curated by Rosa Olivares and Marta Gili, Fundacio La Caixa, Barcelona, Spain | ||
| Arts & Human Rights, Kwangju International Biennale, curated by Ichiro Hariu, Seoul, Korea | ||
| Dire Aids- Say Aids, curated by G. Cochrane, G. Verzotti, E. Cucco, A. Vettese, Promotrice delle Belle Arti, Torino, Italy | ||
| Foto Biennale Rotterdam, curated by Clive Kellner, Rotterdam, Holland | ||
| Biennale Dakar, curated by Hans Bogatzke, Dakar, Senegal | ||
| Simultaneous, Jack Shainman Gallery, New York - USA | ||
| Overnight to Many Cities: Travel and Tourism at Home and Away, curated by Collier Schorr, 303 Gallery, New York - USA | ||
| Fondazione Bevilacqua (avec Shirin Neshat), curated by Luca Massimo Barbero, Venezia, Italy | ||
| Camouflage, Hans Bogatzke Collection of Contemporary African Art, Bruxelles, Belgique | ||
| Il sentimento del 2000, Triennale di Milano- Photomedia Europe 1999, Milano, Italy | ||
| Liberated Voices: Contemporary Art from South Africa, Museum for African Art, | ||
| New York, New York, USA travelling to: | ||
| Austin Museum of Art, Austin, Texas, USA | ||
| Iris & B. Gerald Canto Center For Visual Arts at Stanford University, CA | ||
| The University of Arizona Museum of Art, Tucson, AZ | ||
| South meets West, curated by Bernard Fibicher, The National Museum Accra, Ghana. Travelling to: | ||
| Kunsthalle Bern, Bern, Switzerland, | ||
| Toward-Transit, New visual languages in South Africa, Pro Helvetia Art Council of Switzerland, Zurich, Switzerland | ||
| Photoespana 99: images for dignity, curated by Miguel Angel Invarato, Madrid, Spain | ||
| Site Santa Fe: looking for a place, curated by Rosa Martinez, Santa Fe, New Mexico | ||
| Goteborgs Konstmuseum, curated by Lena Boethius, Goteborg, Sweden | ||
| Rewind fast forward.Za.,curated by Bozzie Rabie,Van Reekum Museum in Apeldoorn, Holland | ||
| Project Conflux, Tendances Mikado, Luxembourg | ||
| 1998 | Houston Photo Festival, Texas, USA | |
| The Klein Karoo National Arts Festival, Sasol Art Collection | ||
| A History of African Photography, La Maison Europeenne de la Photography, Paris, France | ||
| Africa, Africa, curated by Toshio Shimizu, Tobu Museum, Tokyo, Japan | ||
| Dakar Biennale, Senegal | ||
| Architecture, apartheid and after, curated by Hilton Judin, Van Reekum Museum, Rotterdam, Holland | ||
| Democracy's Images photographs and visual art after apartheid, Bild Museum, Sweden | ||
| Africa by Africa, Barbican Art Gallery, Barbican Centre, London, Great Britain | ||
| Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening, | ||
| Center for Curatorial Studies. Bard Collegue, curated by Francesco Bonami, Annandale-on-Huston, NY | ||
| 1997 | National Museum of Contemporary Art, Oslo, Norway | |
| Lift Off, Goodman Gallery, Joannesburg, South Africa | ||
| Photo Syntesis-Contemporary South African Photography, Grahamstown Art Festival | ||
| La Boheme: Noir, Primart Gallery, Cape Town, South Africa | ||
| Trade Routes: History and Geography, curated by Okwui Enwezor and Octavio Zaya, Johannesburg Biennale, EletricWorkshop, Gauteng, South Africa | ||
| Association for Visual Arts, CRAM, Cape Town, South Africa | ||
| 1996 | Adelson Gallery, New York, NY | |
| Association for Visual Arts, Cape Town, South Africa | ||
| 1995 | World Economic Forum Group Show, Davos, Switzerland | |
| Crosscurrents, Very Special Arts Gallery, Washington D.C., USA | ||
| Africa 95, Bernard Jacobson Gallery, London, Great Britain and Dusseldorf, Germany | ||
| Johannesburg Biennal, Johannesburg, South Africa | ||
| S.A. Association of Arts-3 Person Show, Cape Town, South Africa | ||
| 1994 | Crosscurrents, S.A.artists group show, Barbara Gillman Gallery, Miami Beach | |
| S.A. artists, Ottobrunn, Germany | ||
| 1993 | Grand Prix International d'Arts Plastiques, International Visual Arts, Nice, France | |
| Biennale of Illustration Bratislava, Slovan Republic | ||
| Galerie de Lyons, Cape Town, South Africa | ||
| Abidjan Biennale, Ivory Coast, South Africa | ||
| 1991 | S.A. Associationof Arts, Cape Town, South Africa | |
| Daljosafat Arts Centre, Paarl, South Africa | ||
| 1990 | NSA Gallery, Durban, South Africa | |
| 1989 | Memorial Art Museum, Rochester, NY | |
| 1988 | Bethune Gallery, S.U.N.Y. Buffalo, NY | |
| Rainbow Gallery, S.U.N.Y. Brockport, NY | ||
| 1986 | S.A. association of Arts , Cape Town, South Africa | |
| Elisabeth Sneddon Theatre, University of Natal, Durban, South Africa | ||
| 1985 | Michaelis Gallery, University , Cape Town, South Africa |
| 2004/5 | Common Ground: Discovering Community in 150 Years of Art, Merrell Publishers, London, October 2004 | |
| Fernando Oliva, "Ripening Process", Lapiz 207, November 2004, p. 64-68 | ||
| 2004 | Salgado, Gabriela. "8th Havana Biennial: The Bittersweet Taste of Utopia, Flash Art January 2004, p.47 | |
| Made in Africa - fotografia, curated by Michela Manservisi, Ed. Mezotte, pgg 28-33, 2004 | ||
| Ves Rencontres de la Photographie Africaine, Bamako 2003, Rites sacres/Rites Profanes. | ||
| Princenthal, Nancy, "Forty Ways of Looking at a Stranger", Art in America, December 2003 pgs. 43-45 | ||
| "Fast Forward on the Persian Gulf", Art in America, November, 2003 p. 87-91 | ||
| The New Yorker, "Short List" September 15, 2003 P.24 | ||
| Gronlund, Melissa, "Art News", New York Reviews P.116 | ||
| Kimmelman, Michael, "The Gaze Turns Outward and sees Estrangement", New York Times, Friday, September 19, 2003 P.E 33 | ||
| Fox, Catherine, "Portraits of dignity, in many forms" the Atlanta Journal - Constitution, Sunday, April 16, 2003, PM2 | ||
| Barns, Greg, "Soft Power", Mail and Guardian, July 27, 2003 | ||
| Pollack, Barbara, "When South Africa Joined the World, And the Art World", The New York Times, Sunday, March 8, p.AR 19 | ||
| Gronlund, Melissa, "Zwelethu Mthethwa", ARTnews, June, p.116 | ||
| "Photos by Zwelethu Mthethwa Portrays South Africa After Apartheid At The Cleveland Museum of Art", Antiques and The Arts Weekly, Feb. 2001 | ||
| "Cleveland exhibit celebrates South African cultures, people" Times Leader, Feb 16 | ||
| "New CMA exhibit features moving photos from pos-apartheid South Africa" Call & Post (Cleveland Edition), Weekly, January 30 | ||
| Tranberg, Dan, "Zwelethu Mthethwa", Angle, p.17 | ||
| Cotter, Holland, "Body And Archive", The New York Times, February, 14, p. E45 | ||
| 2002 | Connect art.politics.theory.practice, Arts International, Inc, New York, pg 36-40 | |
| Arianna Di Genova, Ferrotel, quell'albergo ora viaggia con l'arte, Alias, page 22, No 45, 16 November. | ||
| 2001 | Camhi, Leslie, "Darkness Visible", The Village Voice, March p. 26, 61. | |
| Fox, Catherine, "Face Value", the Atlanta Journal- Constitution, Friday, November 15. | ||
| Zelanski, Paul and Mary Pat Fisher, "Color", Laurence King Publishing, fourth edition, 27p. | ||
| "Art Exposed: The Guide to Open Studio", Kansa City Artists Coalition, p 4. | ||
| Perree, Rob, "Zwelethu Mthethwa", Kunstbeeld, p. 56-57. | ||
| Di Genova, Arianna, "Ferrotel, quell'albergo ora viaggia con l'arte", Alias, p. 22, no. 45. | ||
| Zwelethu Mthethwa a Sottozero, Flash Art, page 59, N°225, January | ||
| De Dominicis Daniela, Zwelethu Mthethwa a palazzo Esposizioni, Flash Art, N°226, March, page 126 | ||
| Pollack, Barbara, The Newest Avant-Garde, Artnews, April, p. 124-129. | ||
| Schmerler, Sarah, Zwelethu Mthethwa, Art in America, January,p.108 | ||
| Review, Museum of Contemporary Photography, Chicago Reader, July 6, Section One, p. 23. | ||
| Williamson, Sue, Staking Claims: Confronting Capetown, NKA, Fall/Winter,p.93 | ||
| Mosaka, Tumelo, Liberated Voices, Contemporary Art from South Africa, NKA, Fall/Winter, p. 107 | ||
| Rosa Martinez, Cityscape on New feminism, Flash Art, page 56, N°214, October | ||
| Chiara Bertola, Zwelethu Mthethwa and Shirin Neshat, Flash Art, page 119, N°221, April | ||
| Clive Kellner, Africa All Over, Flash Art International, page 57, N°212, May-June | ||
| Susanne Mayer, Out of Africa Anders, Die Zeit , page 59, N°25, June | ||
| Teresa Macrì, Dak'Art Africa, Il Manifesto, page 14, May | ||
| Heart of the fourteen artists are in Perth, The Sunday Times, January | ||
| David Bromfield, Domestic Works, Arts, February | ||
| Donna Jenkinson, Home Truths, The Sunday Time, February | ||
| Home at the Art Gallery of WA, The artist's chronicle, page 8, March | ||
| Ted Snell, Visual perspectives find a space, The Australian, page 11, February | ||
| Fresh Cream, 10 curators, 100 artists, curated by Octavio Zaya, New York Phaidon Press | ||
| Cotter, Holland, "Zwelethu Mthethwa," The New York Times, Friday, June 16, p.E33 | ||
| Zwelethu Mthethwa The New Yorker, June 12, p. 18. | ||
| Zwelethu Mthethwa, The New York Times, Sunday, June 4, Art & Leisure, p. 39 | ||
| Harris, Juliette, ed., The International Review of African American Art, Vol. 16, no. 4. | ||
| Carlo Basualdo and Rosa Martinez, Launching Site, Art Forum, page 39, N°10, Summer | ||
| Kerstin Hengevoss and Zwelethu Mthethwa, Zwelethu Mthethwa, catalogue Galerie Hengevoss-Dürkop, Hamburg, Germany | ||
| Octavio Zaya ,Identity Webs, Flash Art International , November | ||
| Biennale de Santa Fe, Artforum, September | ||
| Teresa Macri', Il cuore pulsante della township ,Il Manifesto, Feb.21th | ||
| Tiziana Conti, Tema Celeste, Juanuary | ||
| Guido Curto, Flash Art, Juanuary | ||
| Hollis Walker, Finding fun at Site Santa Fe, New Mexican , July 9th | ||
| Julie Graber, For art's sake, New Mexican, July 7 | ||
| Ralph Rugoff, Global Art reaches Santa Fe, Financial Times, 31 July | ||
| Miguel Navrot, SF Biennal Goes Global, Journal Albuquerque, July 9th | ||
| Black Light, Art das Kunstmagazin, Germany, July , Nr.7 | ||
| Michael Godby, Toward-Transit, Pro Helvetia, September | ||
| Cameron, Dan, Looking For a Place: Site Santa Fe, Artforum, November, p.140 | ||
| Cotter, Holland, The New York Times, Friday, September 24. | ||
| Mitchell, Charles Dee, "Report From Santa Fe: Places of the Art,: Art in America, December, p.46-51. | ||
| Oguibe, Olu & Okwui Enzewor, ed., Reading the Contemporary: African Art from Theory to the Marketplace, MIT Press: Cambridge, MA, p. 328. | ||
| Zaya, Octavio, Zwelethu Mthethwa, Flash Art, October, p. 90. | ||
| Fuller, Natasha, ed. FNB Vita Art Prize Exhibition, Johannesburg, 1999. | ||
| 1998 | Jurget, N° 90, December | |
| Toshio Shimizu, Africa Africa, exhibition catalogue Tobu Museum of Art, Tokyo, Japan | ||
| Guggenheim Magazine, Spring | ||
| Octavio Zaya, Atlantica, Desde Sudafrica curated by Okwui Enwezor, N°19 | ||
| Frédérique Chapius, Les Africains, ,Telerama, N°2533, 29 July | ||
| Arts in America, June 1998 | ||
| Siksi, The Nordic Art Review, N°3-4,Autumn/Winter, Stockholm | ||
| Cristina Karistam, , Sydafrica i gryningljus, Torsdag, 12 November, Stockolm | ||
| 1997 | Newart, December | |
| ADA, N°13 | ||
| Andre Magnin and Jacques Soulillon, Contemporary Art of Africa |
| 2002 | Afrikanische Reklamekunst, texts by T. Wendl, O. Frick, K. Pinther, P. Probst, page. 90-91, published by Peter Hammer Verlag, Germany | |
| Demokratins Bilder, text by Santu Mofokeng, page. 80-89, published by Bild Museet, Umea, Sweden | ||
| Dislocation, Texts by D. Tilkin, K. Smith, page. 56-61, published by La Fabrica, Madrid, Spain | ||
| Postculture, text by Teresa Macri, page. 122-124, published by Meltemi, Roma, Italy. | ||
| Trade, texts by T. Seelig, U. Stael, M. Jaeggi, page. 272-275, published by Fotomuseum Winthertur and Scalo, CH. | ||
| Great 41, The Photographers' Gallery, Collier Schorr, London, UK | ||
| Art Journal, Spring 2002 Vol. 61, No.1, Published by College Art, New York, NY,USA, p.58-67 | ||
| Marcel Odenbach ,Videoarte Africana, Catalogue 25° Bienal de Sao Paulo , publisher by Fundacao Bienal de Sao Paulo, Brasil | ||
| Reality- check, 2. triennale der photographie hamburg 2002 | ||
| Tracing the Rainbow, Kunst und Literatur aus dem neuen Sudafrika, Seippel Verlag | ||
| South African Art 1850-2002, The Goodman Gallery. Micheal Stevenson. Deon Viljoen | ||
| 2001 | The Short Century, edited by Okwui Enwezor, published by Prestel, Munich, London, New York | |
| Paris pour escale, Musée d'Art Moderne de la Ville de Paris, Paris, France | ||
| 2000 | Fresh Cream, Contemporary Art in Culture, text by Octavio Zaya, published by Phaidon , London, England | |
| Zwelethu Mthethwa, texts by Teresa Macrì and Maria Grazia Tolomeo, Marco Noire Editore, Turin, Italy | ||
| Mostra africana de Arte Contemporanea, texts by Solange Oliveira Farkas and Clive Kellner, SESC, San Paulo, Brasil | ||
| Home, catalogue curated by Trevor Smith, Thomas Mulcaire and Gary Dufour Art Gallery of Western Australia, Perth, Australia | ||
| Mirades Impúdiques, edited by Fundació la Caixa, Spain | ||
| Dire Aids, texts by G.Cochrane, E. Cucco, G. Verzotti, A.Vettese, published by Charta, Italy | ||
| Arts & Human Rights, curated by Ichiro Hariu, Seoul, Korea | ||
| Catalogue for the Foto Biennale in Rotterdam, curated by Clive Kellner, Rotterdam, Holland | ||
| South meets West, catalogue for the exhibition in Kunsthalle Bern and at the National Museum in Accra, curated by Bernard Fibicher | ||
| 1999 | Monographic Book, texts by Octavio Zaya, Teresa Macri', Michael Godby, | |
| published by Marco Noire, Turin, Italy | ||
| Jakob Lind, Sweden, South Africa, A photographic Art Exchange, Futurniture, Stockholm, Sweden | ||
| Daniela Palazzoli, Il Sentimento del 2000, catalogue for Triennale Milano, Milano, Italy | ||
| Project Conflux, catalogue for the exhibition in Luxembourg, published by The Association for visual Art, South Africa | ||
| The Alembie Spirit, limited edition of portfolio, curated by Melvyn Minnaar and published by Hard Ground Printmakers for the South Africa Brandy Foundation | ||
| Phe99, catalogue for Festival Internacional de Fotografia, curated by Miguel Angel Invarato, Madrid, Spain | ||
| "Rewind" Fast Forward, curated by Bozzie Rabie, exhibition catalogue Van Reekum Museumn in Apeldoorn, Holland | ||
| Looking for a place, The third International Biennal, curated by Rosa Martinez, Santa Fe, Usa | ||
| Herreman, Frank, ed. Liberated Voices: Contemporary Art From South Africa, Museum for African Art, New York, 1999 (exhibition catalogue) | ||
| Blank - Architecture, apartheid and after, published by Hilton Judin and Ivan Vladislavic, NAI publishers, Rotterdam, Holland. | ||
| Art in America, December 1999 edition, Report from Santa Fe, Places of the Art, p.46-51 | ||
| 1998 | Projects rooms, catalogue for exhibition in Arco/Madrid, published by Marco Noire, Turin, Italy | |
| Athologie de la Photographie africaine, pp. 304-307, Revue Noire, Paris, France | ||
| Blank-Architecture, apartheid and after, published by Hilton Judin and Ivan Vladislavic, NAI publishers, Rotterdam, Holland |
| Kunsthalle Hamburg Germany, National Museum of African Art (Washington DC), New Museum, NY, The Corcoran Museum Gallery of Art (Washington DC), Daimler Chrysler Collection, Wooltru (Cape Town), Cape Department of Education Trust, Art Gallery Durban, Tatham Art Gallery ( Pietermaritzburg), Gilbey’s Ltd., Metropolitan Life, South African Breweries, Old Mutual, Mary and Leigh Block Gallery (North Western University), University of the Witwatersrand, Gencor S.A. Ltd., University of South Africa, S.A. Embassy (Washington D.C. USA), Trasnet Ldt., Pretoria Art Museum, Sanlam, Johannesburg Art Gallery, S.A. Reserve Bank, Herdboys, Rand Merchant Bank, Smithsonian Museum (Washington D.C. Usa), Arco Foundation (Madrid), Bouwond (Holland), Boland Bank PKS (South Africa), LA County Museum (USA), Siemens Ltd (South Africa), ABSA Bank ( South Africa), MTN collection (South Africa), Vodacom (South Africa), JSE - Stock Exchange ( South Africa), Stellenbosch University (South Africa), Samuel Harn Museum, Miami (Usa), South Africa, National Gallery, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, LeSalle Bank, Chicago, Museo de Arte Contemporaneo de Castilla y Leon, Madrid, Spain; Museum of Modern Art, New York; Gugenheim Museum, New York, U.S.A., Absolut International Collection, Sweden. Sammlung Museum Moderner Kunst Stiftung Ludwig, Wien |
Special Project
Futurniture (Sweden)
Ministère Culture Communication (France)
Roggebaai Tourism Precinct - Review Committee Member
Nobel Square - Technical Committee Member
Commission for the international Absolut Collection - "Absolut Zwelethu"